Tutorial Details

• Program: Adobe Photoshop CS5
• Difficulty: Advanced
• Estimated Completion Time: 8 Hours

Tutorial Assets

You’ll find some files in the “source” folder. You’ll also need the following stock images and fonts to complete this tutorial.

• Texture pack one
• Texture pack two
• The medium-sized version of this model
• Wireframe pack
• Shattered 3D font
• LOT font

A Brief Breakdown

Here’s a quick summary of how the final image was created. I usually begin by layering multiple textures with different Blending Modes to produce an interesting background (A). The next stage is to add the main focal point – in this case the model (B), then apply the halftone effects. I then used 3D renders to displace several duplicate model layers, which were also masked to create the abstract fragments (C and D).

Making your own brushes can be both fun and rewarding. The brushes used in this project were created by applying cellulose car spray and water-based poster paint onto cartridge paper. I also experimented using the same technique on paper that had been soaked in water, which gave an interesting marbling effect.

Step 1

Press D on your keyboard to reset the foreground / background colors to black and white, then press X to swap them, so black becomes the background color. Create a new RGB canvas 21 cm x 27.7 cm and choose Background Color from the Background Contents drop-down menu.

Step 2

First, we’ll use some textures to build up the background. Open “colorfulgrunge5.jpg” from this texture pack, then choose Image > Image Rotation > 90 degrees CCW. Place as a new layer, then hit Cmd/Ctrl + T to access Transform and enlarge to fill the canvas. Name this layer “Texture 1″.

Step 3

Add “stainedpaper9.jpg” from this texture pack as another layer. Enlarge, change the Blend Mode to Multiply and label it “Texture 2″.

Step 4

Place “colorfulgrunge7.jpg” from the first texture pack as a new layer. Enlarge, change the Blend Mode to multiply again and label it “Texture 3″.

Step 5

Add “colorfulgrunge6.jpg”, again with a Blend Mode of Multiply and name it “Texture 4″. Now import “stainedpaper1.jpg” from the second texture pack and press Cmd/Ctrl + I to Invert to negative, then change the Blend Mode to Color and reduce the Opacity to 15%. Name this layer “Texture 5″.

Step 6

Choose Color Balance from the Create new adjustment layer menu at the foot of the Layers tab (1). In the next window click the double circle icon to unlink it (to affect all layers) and copy these settings.

Step 7

Add “colorfulgrunge3.jpg” from the first texture pack, at the top of the layer stack, enlarge to cover your canvas. Change the Blend Mode to Overlay and label it “Texture 6″. Grab the Gradient Tool (G) and choose to Foreground (white) to Transparent preset and highlight the Radial setting in the Option bar. Now add a layer mask and drag a series of gradients from the centre out (my mask is shown on the right).

Step 8

Place an unclipped Levels Adjustment Layer at the top of the stack and set the white point Output slider to 169 to darken all layers.

Step 9

Highlight the top Adjustment layer thumbnail, then hold down Shift and highlight your first texture thumbnail (this also highlights the layers in between). Now choose New Group from Layers from the top-right fly-out menu on the Layers tab. In the following window enter “TEXTURES” in the Name field and hit OK.

Step 10

The next stage involves isolating the model from the background. Photoshop has many tools that allow us to achieve this, but in this instance we’ll use a channel, or density mask.

First, choose Image > Image Rotation > Flip Canvas Horizontal. Now go to Image > Calculations, in the next window copy these settings to create a composite channel containing the most contrast between the subject and background and click OK.

Step 11

Switch to the Channels tab and you’ll see the new channel (“Alpha 1″) sitting at the bottom. Target it, then press Cmd/Ctrl + L and apply the following Levels adjustment to increase the contrast.

Step 12

The idea is to create a clean white silhouette of the model, so set the Dodge Tool (O) to: Exposure: 50% / Range: Highlights and use a medium soft-edged brush to bleach the edge pixels as indicated in red.

Step 13

Grab the Brush (B) and use an assortment of different sized hard-edged brushes to infill any remaining grey areas with white. By default, white acts as selective areas, so Cmd/Ctrl-click “Alpha 1″ to create a selection, then target the top RGB composite channel.

Step 14

Jump to the Layers tab. Choose any selection tool and click the Refine Edge button in the Options bar. In the next window choose On Black (B) from the View Mode drop-down menu, copy these settings and click OK.

Step 15

You’ll now see a new masked layer appear and the visibility of the original layer disabled. Switch on the visibility of the original layer and fill with black. Zoom in and check you’re happy with the results of the Refine Edge command. At this point you can modify the mask by painting with either white (to reveal), or black (to hide) with a small soft-edged brush if needed.

When you’re happy, drag the mask thumbnail into the trash icon at the foot of the Layers tab and click Apply in the following window.

Step 16

Finally, Cmd/Ctrl-click your top layer to load it as a selection, then use a small black, soft-edged brush to paint over the highlights in the model’s eyelash.

Step 17

Place the isolated model as a new layer within your project file. Add a layer beneath it and fill with white. Target the model layer and hit Cmd/Ctrl + E to Merge Down.

Step 18

Select All (Cmd/Ctrl + A) and Copy to the Clipboard. Create a new document in Greyscale Mode and name it “Displacement.psd”

Step 19

Revisit your project file and click back in the History panel to when you added the model as a new layer. Now switch back to your new file and flatten it.

Step 20

Go to Filter > Blur > Gaussian Blur and enter 30 px.

Step 21

Now choose Image > Mode > Bitmap, ensure the Output is set to 300 pixels/inch, select Halftone Screen from the Use drop-down menu and press OK. In the following window set the Frequency to 15 lines/inch, the Angle at 45 degrees and Round under Shape, then press OK again. Now select Image > Mode > Greyscale, keep the Size Ratio 1, click OK and save (with the .psd suffix) to a handy location.

Step 22

Back in your project file name the model layer “Model”. Duplicate it and rename “Model halftone”.

Step 23

Ensure the “Model halftone” is the target layer, then go to Filter > Distort > Displace. In the next window set both Scale fields to 10, then select the Stretch To Fit and Repeat Edge Pixels options and press OK. You’ll now be prompted to locate and load your “Displacement.psd” file.

Step 24

Over the following steps we’ll use different sized source files with the Displace Filter and radically alter the settings to create some abstract 3d effects.

Open character X from this alphabet and Save As a .psd file. Duplicate the original “Model” layer again and rename it “Model shatter 1″ Now press Alt + Cmd/Ctrl + F to reopen the Displace dialogue window, copy these settings and navigate / select your character .psd file.

Step 25

Repeat the previous step using character S and apply these settings with the Displace Filter on another duplicate layer labelled “Model shatter 2″.

Step 26

Use the same technique using character Z as the displacement map with the following settings on a final “Model” duplicate and name it “Model shatter 3″.

Step 27

Change the Blend Mode of the “Model” layer to Overlay, then move it up the layer stack above “Model shatter 1″.

Add a mask to the “Model halftone” layer. Now load the “grunge_brushes.abr” brushes and use them in a stamping fashion so only selective edges remain around the model. When painting open the Brush panel (from the Options bar) and flip/rotate the Brush Tip Shape to avoid repetitive strokes.>

If you remove more than you need, reinstate areas using a white grunge or basic brush. My mask is also shown at the bottom of the screengrab for clarity.

Step 28

Now mask the “Model” layer with a selection of grunge brushes as well.

Step 29

Continue to mask the remaining displacement layers. Here’s the mask for the “Model shatter 1″ layer.

Step 30

The masked “Model shatter 2″ layer.

Step 31

And finally, the masked “Model shatter 3″ layer.

Step 32

Now duplicate the original “Model” layer again. Reset its Blend mode to Normal and modify the mask reveal the model’s face.

Step 33

Duplicate the “Model halftone” layer, change the Blend Mode to Soft Light. Now enlarge the layer content so the dots extend slightly and modify its mask as shown.

Step 34

To boost the contrast of the model, add a Levels Adjustment Layer to the “Model copy” and apply these settings. To limit (clip) the adjustment to the target layer, click the double circle icon.

Step 35

To keep your file organized place all the model and shatter layers within a folder called “MODEL”. Add “Paint_1.png” as a new layer above your “TEXTURES” folder, change the Blend Mode to Multiply and name it “Splat 1″. Repeat using “Paint_2.png” and “Paint_3.png“. Label these layers accordingly and position around the model.

Step 36

Add character O from the 3d lettering download above your previous layer. Set the Blend Mode to Multiply and label it “3D 1″. Transform / position centrally behind the model’s head, then mask as shown.

Step 37

Duplicate this layer, rename it “3D 2″ and position bottom-right. Now change the Blend Mode to Soft Light and adjust its mask accordingly.

Step 38

To keep your project file tidy, add all the floating layers within a folder called “ELEMENTS 1″. Now add a mask to the “TEXTURES” folder and use an assortment of grunge brushes to reveal areas from the black “Background”layer.

Step 39

Place “media-militia-wireframes-03.png” from this wireframe pack as new layer in Multiply Mode at 50% Opacity above the “MODEL” folder. Transform / position at the base of your canvas to cover the model’s arm and name it “Wireframe 1″.

Cmd/Ctrl-click the “Model halftone” thumbnail to create a layer-based selection. Ensure your “Wireframe 1″ is the target layer, then go to Layer > Layer Mask > Hide Selection. Deselect and apply a white to Transparent angled Linear Gradient bottom left, then a Black to Transparent Radial Gradient over the model’s shoulder to reveal the line work.

Step 40

Place “media-militia-wireframes-12.png” from the same pack, Transform / position bottom right and name it “Wireframe 2″. Press Cmd/Ctrl + I to Invert the layer to negative and set the Blend Mode to Soft Light, but leave the Opacity at 100%. Now mask with a selection from your “Model halftone” layer.

Step 41

Add “Paint_4.jpg” at the top of the layer stack and Rotate, resize, position over the model’s left eye and name it “Eye splash”. Change its Blend Mode to Multiply and lower the Opacity around 60 – 70% to blend with the model’s skin. Now use a small, soft to medium hard brush to mask it.

Step 42

This following couple of steps will work a lot better using a tablet. Add a new top layer called “Linework 1″. Grab a hard-edged 7 px white brush and doodle over the model’s face and shoulder. Try and follow the natural contours, but don’t worry about being too precise as a lot will be hidden in the next step.

Step 43

Change the Blend mode to Soft Light to reduce the effect, then use a large soft-edged brush at a low opacity to mask as shown.

Step 44

Add another layer and use a slightly larger hard tip to trace over the model’s key features. Name this layer “Linework 2″ and mask is as required. Now place these two layers along with the underlying ones into a folder called “ELEMENTS 2″.

Step 45

Before adding the text and logo, sit back and review your composition, then carry out any final adjustments. I used a combination of the Patch Tool (J) and the Clone Stamp Tool (S) on some displacement layers to remove awkward looking shapes overlapping the model’s shoulder. Next, I reduced the Opacity of certain texture layers as indicated and finally tweaked a couple of masks.

Step 46

Grab the Text Tool (T) and add the letters CRE using this font. Open the Character and Paragraph panels (from the Options bar) and set the point size to around 89 and align it right. Duplicate the text layer, then Shift-drag down and type the letters ATE.

You’ll now need to manually reduce the space between the A and E. To do this, place your text cursor between the two characters and set the kerning value to -100. Now place both text layers within a folder labelled “GRAPHICS”.

Step 47

Open the “Logo.pdf” from the “source” folder directly from Photoshop, or via Illustrator, then Copy > Paste as a Smart Object and place bottom right within the same folder.

Add a folder mask and break up the text with an assortment of grunge brushes. Now reinstate the mask with white as indicated to keep the logo intact.

Step 48

To tone down the overall color, add an unclipped Hue/Saturation Adjustment Layer at the top of the stack and set the Saturation slider to -36.

Step 49

Create a layer-based selection from the logo and fill with black on the adjustment mask. Finally, paint with a soft brush within a selection created from the “Model” layer to bring back the color intensity of the eyes and lips.

Conclusion

As you’ve discovered, the Displace Filter can be fun to work with and also produce some fantastic results. It’s worth remembering that the Displace filter works by aligning the top left edges on both the target layer and the displacement file, so for predictable results always Merge the target layer, or Crop your image so both files share the exact pixel dimensions.

Happy accidents can happen by using displacement maps of different dimensions to your target file and also experimenting with the settings in the filter window.

TUTORIAL DETAILS

• Program: Photoshop CS5
• Difficulty: Beginner
• Estimated Completion Time: 30 Minutes

Preview

This is the poster that we are going to create.

Step 1: Set up a new Photoshop document

Create a new document in Photoshop (Ctrl/Cmd + N) using the settings from the following image.

Then select the Paint Bucket Tool (G) and fill the background with black (#000000).

Step 2: Add a color gradient to the background

Double-click on the Background layer to unlock it.

Then double-click on it again to open the Layer Styles window and use the settings from the following image to add a Gradient Overlay.

Step 3: Add more colors to the background

In the previous step, we added a Gradient overlay on our background to give it some color. Now, we’ll add more colors to make the background more interesting. Create a new layer and then choose a big soft brush for the Brush Tool (B) and paint with it on your canvas. Keep it random and try to change brush options until you get something that you like. I have chosen shades of orange and yellow for my brush colors, but you should use any colors that you want your poster to have.

Then convert this layer into a smart object (right-click on it and choose Convert to Smart Object).

Apply a motion blur filter (Filter > Blur > Motion Blur) using the settings from the following image to blend the colors better.

Then, name this layer “colors 1” and set its opacity to 15%.

The background has to be dark because the light effects that we will create later won’t make as much of an impact if the background is bright. For the moment we only want to add some subtle colors over the black background.

Step 4: Add even more colors to the background

Create a new layer and repeat the previous step using different colors.

Name this layer “colors 2” to keep our work tidy and organized.

Step 5: Incorporate the star lights texture

Download this texture and open it in Photoshop.

Move the downloaded image into your canvas using the Move Tool (V) and then convert this layer into a smart object.

Then go to Edit > Free Transform (Ctrl/Cmd + T), hold down the Shift key to maintain the proportions, and then make this texture smaller.

Name this layer “star light texture” and set its blending mode to Overlay with an opacity of 20%.

Step 6: Include the Cosmos texture

Download this texture and open it in Photoshop.

Because we only need the texture and not its colors, desaturate the Cosmos stock image by going to Image > Adjustments > Desaturate (Ctrl/Cmd + Shift + U).

Use the Move Tool (V) to move the image into your main canvas and convert its layer into a smart object.

Use the Free Transform command (Ctrl/Cmd + T) to change the size of this image and to rotate it to an angle that you like.

Then name this layer “cosmos texture” and set its blending mode to Soft Light with an opacity of 30%.

Step 7: Creating the stars

Create a new layer and fill it with black (#000000) using the Paint Bucket Tool (G).

Right-click on this layer and choose Convert to Smart Object.

Then go to Filter > Noise > Add Noise and use the settings from the following image.

Name this layer “stars” and set its blending mode to Screen to eliminate the black color.

You should now have many white dots that don’t look like stars at the moment—but don’t worry, we’re not finished with them yet.

To decrease the number of white dots, we will use a Levels adjustment layer. Go to Layer > New Adjustment Layer > Levels and use the settings from the following image.

To reduce the number of stars even more and make the effect realistic, you can add a mask to the “stars” layer (Layer > Layer Mask > Reveal All) and use a black brush (B) to erase some of stars.

Step 8: Start the creation of the colorful light effects

Create a new layer (Shift + Ctrl/Cmd + N) on top of all the layers thus far.

Select the Rectangular Marquee Tool (M) and create a selection like I did in the image below.

Set your foreground color to white (#ffffff), and then choose the Gradient Tool (G), making sure to choose theForeground to Transparent gradient preset in the options bar.

Hold down the Shift key and drag a horizontal line from the left edge of the selection to the right edge of our marquee selection.

Then go to Select > Deselect (Ctrl/Cmd + D) to unload the marquee selection.

Keep our work tidy by naming this layer, “line“.

Go to Layer > Layer Mask > Reveal All to create a mask for this layer.

Then set your foreground color to black (#000000), select the Gradient Tool (G), make sure that you are still using theForeground to Transparent gradient preset, and then drag a gradient starting at the top of the white line.

Then drag another gradient at the bottom of this line. Take a look at the following image for reference.

Step 9: Working on the line

Right-click on the “line” layer that you have created in the previous step, and then pick Convert to Smart Object from the contextual menu that appears.

Duplicate this layer (Ctrl/Cmd + J) and then choose Edit > Transform > Flip Horizontal.

Then choose the two line layers in the Layers Panel by holding down Shift or Ctrl/Cmd and clicking on them.

After having chosen the two line layers, go to Edit > Free Transform (Ctrl/Cmd + T), and then drag the top edge down to reduce their height because we don’t want the lines to reach the top of our canvas. Take a look at the following image for reference.

Step 10: Altering the layer settings

Put the two line layers inside a new group—create a new group using the shortcut combo, Ctrl/Cmd + G—and name the new group simply as “1“.

Set the group’s opacity of the “1″ group to to 80%.

To make the light effect, put the “1″ group into a new group and name it “lines“.

After placing the group into another group, change the blending mode to Color Dodge.

Now you should have two colorful lines similar to the following image.

Step 11: Duplicate the line

We will use the line we’ve created as the template for the other light streaks. We’ll tweak them in various ways to give them an organic and natural look later on. To start, duplicate the “1″ group by dragging it over the Create a new layerbutton located at the bottom of the Layers panel.

Then move this new group to the right using the Move Tool (V) and intersect the two sets of lines like you see in the following image.

With the second group selected, go to Edit > Free Transform (Ctrl/Cmd + T) and decrease its height by dragging down the top line of the transform box.

And then, set the opacity of this group to 70%.

Step 12: Create more lines

Repeat the previous step to create more lines and modify the height of each group of lines using Free Transform (Ctrl/Cmd + T).

Decrease the opacity of each group as it gets closer to the left and right edges of the canvas.

Step 13: Create smaller lines

Create a new group, name it “small lines“, set its blending mode to Color Dodge and put it beneath the “big lines” group.

Duplicate a line layer from the “big lines” group (Ctrl/Cmd + J)
and move it into this new group.

Then go to Edit > Free Transform (Ctrl/Cmd + T), hold down the Shift key and make this layer smaller.

Duplicate this layer (Ctrl/Cmd +J) and then go to Edit > Transform > Flip Horizontal.

Put these two lines in the middle of the canvas like you see in the following image.

Step 14: Finishing up the lines

Continue to add more small lines between the bigger ones.

Set the opacity of each layer between 40% and 70%. Take a look at the image below for reference.

Step 15: Create a new custom brush

Let’s create a custom brush to add some details to our typographic poster. Select the Brush Tool (B) and choose a hard brush as our starting point for the custom brush that we are about to make.

Open the Brush panel (F5) and use the settings from the following image to create our very own custom brush. Just click on the Create new brush button located at the bottom of this panel to save your brush.

Step 16: Applying the custom brush

Duplicate the “big lines” group, right-click on the new group, and then choose Convert to Smart Object.

Add a mask to this layer (Layer > Layer Mask > Reveal All), set the foreground color to black (#000000), select the brush which you have just created, and paint with it on the mask to erase parts of this layer. This gives the lighting a nice detail.

For the center of the lines, use the brush with a master diameter of about 50px and decrease it as you get to the edges of the lines.

Then set the blending mode of this layer to Overlay and the opacity to 25%.

Go to Filter > Blur > Motion Blur and use the settings from the following image.

Then add a bit of noise (Filter > Noise > Add Noise).

Step 17: Add the Universe stock image

Download this image and open it in Photoshop.

Then desaturate it (Ctrl/Cmd + Shift + U) and move it into our main canvas.

Name this layer “texture“, and then convert it into a smart object.

Then go to Edit > Free Transform (Ctrl/Cmd + T), hold down the Shift key, make this layer smaller, and rotate it.

Put this layer into a group (Ctrl/Cmd + G), name the group as “universe“, and adjust its blending mode to Color Dodge.

Click on the “texture” layer to make it active and add a black-colored mask by going to Layer > Layer Mask > Hide All.

Choose a white soft brush for the Brush Tool (B) with its opacity option at 50% and master diameter at 100px. Then paint with the Brush Tool over the top area of the image to reveal parts of the texture that you want.

Step 18: Add Vintage Color Tones

Save the file you created, in what format you want, preferably .psd (Photoshop format). Download the free Photoshop Actions Set from my DeviantART page. Experiment with these to get different colour results: when you’ve found one you like, you’ve finished.

This is the result that i like the most:

Select all artwork (CTRL+A, copy merged (CTRL+SHIFT+C)  and paste it. Go to Filter > Sharpen > Unsharp Mask. Hit OK. This will make the whole composition more clear, try to not over-done it.

Conclusion

Our retro-space poster is now finished. I hope you enjoyed this tutorial and learned some new and helpful design techniques. We did a lot in this tutorial!  We developed a unique lighting effect using Photoshop. We created some heavenly stars using the Noise filter and a Levels adjustment layer. We even created a custom brush to add details to our light effect. Looking forward to your comments!

Just remember – inspiration is what you need to do your work perfectly.

If you’re looking for more of the best design inspiration, check out these posts:

• 80 Brilliantly Creative and Visually Sharp Fashion Brochure Designs
• 30 Eye-Catching Examples of Creative Brochures Designs for your Inspiration
• Showcase of Brochures Designs for Your Inspiration

Booklet designs have to relay messages to the readers through images and few words, usually presented as key points that get the aims, ideals, products and/or services of the company across. A good booklet design is of paramount importance to all companies, and the designer must be skilled in this field.

AWESOME AND CREATIVE CATALOG DESIGNS

Kojo Aftershot Catalog

3 Minutes

Sessions Snow Catalogue

Beautiful Trash

Trollbeads Booklet

Ask&Embla

Ask&Embla

Mietall Walus Magazine

Hyperakt Design Group

Rony Design Catalog

Dress Me

Dress Me

Undergraduate Portfolio

Galerias Metallo

Byamba

Booklet for California College of the Arts

Western Archrib

Lago Estate

Phobia

University of Lincoln: Science Dept Prospectus

Coco book

Galerias Metallo

Trollbeads Booklet

Typographic catalog

LOA+DS At The Lighthouse Exhibition

Type Specimine

A Day in the Life of a Graphic Design Student

A Day in the Life of a Graphic Design Student

Flooring catalog

60 years of Academy of Fine Arts and Design

60 years of Academy of Fine Arts and Design

Sunny days

Catalogue | Mirplay

Small set of books

Small set of books

PARAD Catalogue Autumn-Winter

PARAD Catalogue

Museale Forstyrrelser

Sim Lex Catalog

Pooya Beton Co. Catalog

PaduPadan Catalog

FDD Catalog Design

SHOWCASE OF CREATIVE BOOKLET DESIGNS

Here is a selection of effective booklet designs produced by creative designers for your inspiration and viewing pleasure.

Retrospective 08 Aiga Senior BFA Catalog

Orzamento 08

All is full of…

Design Methodologies Booklet Photo

Some Thoughts on Design

Portfolio

ALPHA_TXT

Capital Jets Booklet

Avant Garde Gothic Typeface Booklet

Kiosk 37

Restaurants Identity book

Silkroad

De Facto

Caledonian

Frankmusik 3 Little Words EP

Recycle Yourself Booklet

Booklet and Badge

Verbo na Escola Mailing

Type Specimine Booklet

HIKE Design Ravensbourne

Beautiful Trash

Cute Booklet

Waterstones Murder Mystery Book Month

University of Lincoln: Science Dept Prospectus

Effektive CV Poster Mailer

Portland has been Busy with Beautiful Design

SHN Mood Booklet

Lago Estate

Le guide des admiscibles

Booklet Design

Conclusion

In this roundup, we have shared some excellent examples of creative booklet and catalog designs that you can get ideas from when creating your own. With this collection, we tried to include innovative, visually appealing and attention-grabbing design solutions. We hope that everybody will find something interesting and unusual. Feel free to share your opinion and comments with others about these catalog and booklet designs.

If you think we have missed out any good catalog or booklet designs then do let us know. Also add a comment below letting us know your favorite catalog design.

Be Careful. “Don’t worry, I will catch you if you fall.” (Image Source: antty)

In the Evening. Nothing is better than enjoying the wind in the evening. (Image Source: Oliver Totzke)

Helping Hand. Processing is just beautiful, and the entire photo looks emotional. (Image Source: hanks studio)

Mini Stultifies Danbo. In the end, lil’ Danbo apologized and removed the sticker. :) (Image Source: excomedia)

There Will Be Light. (Image Source: Crusade)

The Hitchhiker. Mind to give me a free ride? Please? (Image Source: ronald23cgn)

The Hope. There’s also hope in Danbo’s heart. (Image Source: RiaPereira)

Danbos Jungle. I must say the processing is just awesome! The Danbo looks innocent as well. (Image Source: mrmuhh)

Oh, a Snail! “Look, what we have found outdoor today… A snail! The snail was sooooo slow… I would like to ride on it, but I was too shy. I hope we meet again one day, then maybe I have more courage :)” (Image Source:Oliver Totzke)

Playing Foosball. Who will win this game, in your opinion? (Image Source: excomedia)

Put Here. Danbo enjoys not only gaming but also work. (Image Source: Sabrina C. Photography)

Rainy Days. “Don’t get cold, use this.” (Image Source: antty)

Riding a Bike. The bicycle is a little too small for Danbo, but it seems that he likes it. (Image Source:RiaPereira)

Stroll. A lovely Danbo family, and some nice bokeh here. (Image Source: antty)

Sun Bathing. “Guess who I am! No cheating please!” (Image Source: antty)

A Sunny Day. Have this beautiful photograph brighten your day, after all Danbo is just about bringing smile to everybody! (Image Source: Crusade)

Battle Breakdance. Toys having breakdance party when you’re not around them. (Image Source: antty)

Can I Live With You. Try to make a touching story from this photograph! (Image Source: M. Al-Dhafeeri “Pirate”)

Crucified Danbo. “Bid D wanted to teach the boys about religion so he lets them watch the life of Brian. After it had finished they crucified him on the top of a hill and poked him with sticks….little buggers.” (Image Source:Jdub-uk)

Danbo and Blue Android. Revelation about partnership between Android and Amazon? Seems like it became a truth, as Amazon’s Kindle Fire is powered by Android. (Image Source: OhSoBoHo)

Danbos as Mary and Jesus. “On day nineteen, the 4th advent, the Danbos decided to reenact the birth of the Jesus Child. That’s what they needed the donkey for. And as you can see, he wasn’t afraid. No, he really liked what he saw there.” (Image Source: excomedia)

Danbo’s Bath Time. “Well thank goodness the duckie is placed strategically so Danbo won’t be embarrassed!” – K D T (Image Source: Vanessa Do)

Hot Bath. The bubbles and the Danbo with towel are awesome! (Image Source: OhSoBoHo)

Danbo Busking. Little Danbo was trying hard to earn himself some extra bucks with his musical talent. (Image Source: Jdub-uk)

Danbo’s Family Trip. “Don’t get naughty, look at the camera first!” (Image Source: bientôt la camisole)

Danbo Graffiti. “Big D is teaching his boys some of the things he learned in prison, today’s lesson is the graffiti, the boys were thrilled and couldn’t wait to get out there and start tagging walls.” (Image Source: Jdub-uk)

Danbo Mousetrap. “Is it some sort of planking?” (Image Source: Jdub-uk)

Danbo the Artist. “Danbo the artist working away in his studio on his first masterpiece!” (Image Source:OhSoBoHo)

Directing the Family Portrait. Now I just know Danbo actually has a family like human! (Image Source:Morphicx)

Driving Around. “Sup dude? Check out my new ride.” (Image Source: Oliver Totzke)

Eye Check. “Today Mini has to make an eye check. He didn’t want to tell why, but he said it would be very important. So Danbo hung up that chart and Mini read the letters. He could read the tiniest of them. So he seems to have really good eyes. :)” (Image Source: excomedia)

Fail Truck. “The truck won’t move no matter how much I push.” (Image Source: antty)

First Blood. “Body of cardboard, heart of steel!” (Image Source: Monica & Cebolinha)

Fish and Beer. “During this recession time, the only stuff you can really afford is Fish and Beer :) mmmm…sashimi…” (Image Source: Lil_miz_Cheeky)

Flying Kite. Today Danbo tried the kite, and it seems that he can play it really well. (Image Source: Crusade)

Going To The Beach. “Don’t go into the water, and beware of the giant crab!” (Image Source:MurderWithMirrors)

How to Catch a Fish. Even got an explanation sheet there! (Image Source: M. Al-Dhafeeri “Pirate”)

I Crown You. “Danbo don’t cover my eyes I can’t see anything…” (Image Source: Rajendran Rajesh)

It’s Mushroom. “Looks like it’s really autumn now!” (Image Source: Morphicx)

Life Must Be Lived As Play. Very realistic environment! (Image Source: OhSoBoHo)

Lil Danbo Got Scared. I sincerely hope I can meet one in the street. (Image Source: Rajendran Rajesh)

Little Artist. “Danbo doesn’t give a damn about what you think, she shoots whatever she wants with her DSLR.”(Image Source: antty)

Me vs Danbo. There will be only 1 real man staying alive after this. (Image Source: Stewie Santos)

Mythbusters. “You gotta make sure this will not fall into the river, alright?” (Image Source: excomedia)

No Fishing. The rule is created for human, not Danbo. (Image Source: Jdub-uk)

Sweet! It’s not me, I didn’t give it a bite! (Image Source: Flocke)

The Suspect. Guilty for being too cute! (Image Source: Reda Aouad)

Tooth Pick Warriors. Today we gonna decide who deserves the title of Toothpick Knight! (Image Source: Pat Landor)

Time to Sleep. After a long session of photography, it’s time to have a nice rest, thanks for everyone’s viewing! (Image Source: Alexandra Schwarz Photografie)

This post shedding a light on the daily life of cute cardboard robot Danbo! You can find thousand of Danbo images on this Flickr group.
Hope you’re liking these picture as much as I am and got some cute overload in the process. Let’s share your thoughts.

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